Mon, 23 October 2017
Future forward thinking and with a little help from our friends at Today at Apple.
Sat, 5 August 2017
A former contributor returns as guest. Marc LeBlanc is back and Chicago could not be more excited. We check in about his adventures in Berlin with Kavi Gupta Gallery and LA with the LA Contemporary, and now what the future M LeBlanc Gallery will be.
We also learn a word with Ryan Peter Miller and discuss the MCA kickstarting Michael Rakowitz's Enemy Kitchen as part of his mid career retrospective.
Mon, 24 July 2017
This is a great week at Bad @ Sports Center if you were born under the sign Cancer. Painter Nicole Mauser and Artist/Graphic Designer Tobey Albright scuttle through the studio to discuss their upcoming curatorial endeavor, Privates, at Carthage College.
If today is your birthday, treat yourself to a delicious podcast.
Acrylic and oil on canvas
30in x 28in x 1in
Photo credit: Tom Van Eynde
German graphite on paper
42 3/4 x 33”
Sat, 11 March 2017
Bad at Sports Center Episode 4 from the studios of WLPN Radio!
Rebecca Keller's numerous awards include two Fulbrights, an American Association of Museum International Fellowship and grants from the National Endowment for the Arts and Illinois Arts Council. She has exhibited widely, including exhibitions at the Museum of Contemporary Art in Chicago, the Hyde Park Art Center; the International Waldkunst Biennial; the Estonian National Art Museum, the Portland Art Museum; the International Museum of Surgical Science; the Tartu Art Museum; Elmhurst Art Museum and many others. In recent years her work has focused on history as a category and engine for art-making: her Excavating History projects use art and writing to expand and complicate the established narratives of historic sites. These "site-complicit' interventions have occurred nationally and internationally, in locations as diverse an anatomy theater in Estonia to the Jane Addams Hull House Museum in Chicago. Her book about this work: Excavating History; When Artists Take on Historic Sites was published in 2012 by Stepsister Press. A second edition came out in 2015.
Keller was cofounder of YoYoMagazine.org, an online journal of art, writing and creativity. She also writes fiction, and was a finalist for the Chicago Literary Guild’s 2013 prose award, and has twice been nominated for the Pushcart Prize.
We also tackle "Hegemony," Dana gives us a heads up on the "T," and mention 5 things you could have seen this week.
Wed, 22 June 2016
This week sees the return of the once thought lost Mark Staff Brandl!
From his site:
Chris Dennis grew up in, England. He studied natural history illustration at Bournemouth and Poole College of Art and this classical training is evident in his current therianthropic work. After completing his BA (Hons) at the University of Wolverhampton he relocated to the United States, and in 2000 earned his MFA from the University of Art in San Francisco. In 2010 after a period in Berlin, Chris made Auckland his home. He has exhibited in New Zealand, Europe and across the United States.
My paintings are perhaps best described as ‘Narrative expressionism’ or ‘internalized portraiture’. The stories behind these ‘Therianthropic’ pieces have been carefully obfuscated and invite the viewer to create their own narrative, bringing to mind facets or emotions that maybe more difficult to confront if not disguised behind a mask.
Direct download: Bad_at_Sports_Episode_552_MSB_vs._Chris_Dennis.mp3
Category:general -- posted at: 11:15pm EDT
Mon, 22 February 2016
Pretty sure I pronounced Vesna's last name wrong... Opps.
But here it is the long awaited conversation and the return of a former host.
From the International Museum of Surgical Science...
Vesna Jovanovic is a Chicago-based visual artist who specializes in conceptualizations of the human body. Using spilled ink as groundwork, she creates drawings that often formally resemble medical illustration while concentrating on what is usually left out: how it feels and what it means to have a body as well as how the body is culturally perceived. With drawing as a bodily act and medical illustration as a visual trope, Jovanovic brings embodiment, biopolitics, phenomenology, and various other ideas and theories of the human body into her work.
Mon, 15 June 2015
Tanya Gill interviews Mumbai artist Manish Nai at Kavi Gupta’s Elizabeth street space as he prepares for his June 6th opening. This is Manish Nai’s debut solo exhibition in the United States. He is using this opportunity to create wall murals and a compressed jute sculpture just for the space. The media used in Nai’s work are both humble and quintessentially Indian. He transforms everyday materials, such as newspapers or clothes, through labor-intensive processes. The result is a very personal translation of time. For more information on the exhibit visit www.kavigupta.com.
219 North Elizabeth Street
June 6, 2015 - August 1, 2015
Sun, 28 April 2013
This week: Did you ever read Fear and Loathing in Las Vegas? Richard and Duncan drive to St. Louis. It's like that.
Mon, 3 December 2012
This week: SoPra fest continues, the usual cast of characters talks to Stephen Wright about what is and isn't art.
Stephen Wright is an art writer, independent researcher and curator and professor of art history and theory at the École européenne supérieure de l'image (Angouleme / Poitiers). Former research fellow in the "Art and Globalisation" programme at the Institut national d'histoire de l'art (Paris) and programme director at the Collège international de Philosophie (Paris), he is a founding user of the Usual College of the Academy of Decreative Arts. He has organised conferences at Tate Modern (London), Columbia University (New York), Palais de Tokyo (Paris), INHA (Paris), Musée d'art contemporain (Montreal), Aksanat (Istanbul), Videobrasil (Sao Paulo)... Member of the International Art Critics Association, former European Editor of the Montreal-based contemporary art journal Parachute (1997-2005), and editorial board member of the London-based journal Third Text, he has written widely on emergent art and art-related practice as forms of knowledge production in a context of globalisation. As a curator, he has produced a series of exhibitions and publications dealing with art practices with low coefficients of artistic visibility, including The Future of the Reciprocal Readymade (New York, 2004), Dataesthetics (Zagreb, 2007), Rumour as Media (Istanbul, 2006), Palestinian Products (Cairo, 2005), Recomposing Desire (Beirut, 2008) and Diggers All! (Montreal, forthcoming 2010). Laureat t of the European Art Essay competition (2008), he is currently working on the book-length essay Arbitrating Attention, and is putting together a collection of essays, Specific Visibility. A selection of his writings are available on the blog n.e.w.s. to which he is an active contributor, http://northeastwestsouth.net/node/56
Mon, 9 July 2012
Keeping up with Paul Chan could be two peoples full time job. This time out he and Paul talk about the context of publishing, Documenta, and what Paul has been up to since 2010.
the followoing was borrowed from Paul. He really is a lovely fellow.
Direct download: Bad_at_Sports_Episode_358_Paul_Chan_with_John_Preus.mp3
Category:general -- posted at: 2:01am EDT
Sun, 15 April 2012
This week: We talk with, writer, giant of consciouness, and Chief Curator at the ICA in Boston Helen Molesworth.
Mon, 26 September 2011
This week: Duncan MacKenzie, Brian Andrews Abigail Satinsky and Bryce Dwyer begin an adventure in caring and sharing called "Open Engagement." These four adventures of love check in with all the haps in Portland over the next 6 episodes. This week they kick it live with Jen Delos Reyes and FRITZ HAEG! Take that internet.
Jen Delos Reyes
Jen Delos Reyes is an artist originally from Winnipeg, MB, Canada. Her research interests include the history of socially engaged art, group work, and artists' social roles. She has exhibited works across North America and Europe, and has contributed writing to various catalogues and institutional publications. She contributed writing to Decentre:
Concerning Artist-Run Culture published by YYZBOOKS in 2008. In 2006 she completed an intensive workshop, Come Together: Art and Social Engagement, at The Kitchen in New York. She has received numerous grants and awards including a Social Sciences and Humanities Research Council of Canada Grant. Jen is the founder and director of Open Engagement, a conference on socially engaged art practice. She is currently an Assistant Professor in the Art and Social Practice MFA concentration.
From Wikipedia... http://en.wikipedia.org/wiki/Fritz_Haeg
Fritz Haeg (born 1969) was trained as an architect, but his current work spans a range of disciplines and media including gardens, dance, performance, design, installation, ecology and architecture, most of which is commissioned and presented by art museums and institutions.
His work often involves collaboration with other individuals and site specific projects that respond to particular places.
Haeg's recent architecture projects have included the design for various residential and art projects including the contemporary art gallery peres projects and the Bernardi residence, both in Los Angeles, CA. He studied architecture in Italy at the Istituto Universitario di Architettura di Venezia and Carnegie Mellon University, where he received his B. Arch. He has variously taught in architecture, design, and fine art programs at California Institute of the Arts (CalArts), Art Center College of Design, Parsons School of Design, and the University of Southern California.
Mon, 4 July 2011
This week: Recorded live at the Winter Experiment at Monique Meloche Gallery, Dan Gunn talking with Michelle Grabner.
From Dan's website, www.dangunn.com:
Winter Experiment 2011
Monique Meloche Gallery presents the Winter Experiment 2011. Four artists have been invited do one week long installations that end in a discussion open to the public. Please join me for my exhibition at that culminates in a Saturday afternoon "conversation" with Michelle Grabner. Chicago contemporary art podcast Bad At Sports will also be onsite covering the talks.
Saturday January 22, 1pm: Dan Gunn & Michelle Grabner
Michelle Grabner, who is an artist, curator, writer and the founder of The Suburban in Oak Park, teaches at the School of the Art Institute. After the conversation, follow us to Shane Campbell Gallery, for the open of Grabner’s solo exhibition Like a rare morel.
Mon, 9 May 2011
This week: One of our favorite artists, Jason Lazarus is a slightly odd interview where we talk in a cave surrounded by SAIC students.
Mon, 4 April 2011
This week: Mark Staff Brandl talks to Ieva Maurite. Ieva Maurite is a young Latvian artist living in Riga. For the show this week, Mark Staff Brandl, (the Bad at Sports Continental European Office and EuroShark) interviewed her during her visiting artist gig in the Principality of Liechtenstein. Maurite is a painter, book artist and art academy instructor who has also had residencies in Paris, Iceland and many other parts of Europe. Maurite and Brandl discuss the itinerant European artist life, art study and the artworld in Latvia, Maurite's difficult-to-photograph linear imagistic paintings and generally have fun meandering around art topics while Brandl fails to pronounce anything in Latvian correctly including her name (which begins with an "i", by the way, in case Richard and Duncan screw up this paragraph.)
Sun, 19 December 2010
This week: Amanda and Tom go to the Rachel Uffner Gallery to talk with Roger White about his self titled show at the gallery which ran October 29th-December 13th. Roger talks about the show and painting as well as being an artist/journalist as the Vermont based artist is also a frequent contributor to the Brooklyn Rail as well as one of the founders of Paper Monument.
Sun, 14 November 2010
This week: Mark Staff Brandl talks to Martina AltSchaefer.This is the first of two interviews with German artists conducted by Mark Staf Brandl on the island of Elba, Italy. Martina AltSchaefer is an artist living in Ruessellsheim, Germany. She studied with the famed Konrad Kapheck and her creative work centers on very large, labor-intensive drawing in colored pencil on translucent paper. AltSchaefer has exhibited in many prestigious galleries and museums. She also does printmaking and is an expert on mezzotint, about which she has curated shows and written essays. She was in an invitational retreat in July as a working guest of a foundation on the island of Elba along with Viennese jazz pianist and composer Martin Reiter, New York playwright Sony Sobieski, Berlin artist Alexander Johannes Kraut (the interviewee in part two) and Mark Staff Brandl, the Bad at Sports Continental and now also islandal European Bureau. And for all the Napoleon fans, especially those commenting on facebook, they were not in exile and even Mark was allowed back on the mainland without having to invade it.
Sun, 24 October 2010
This week: Tom and Duncan talk to super-talented painter Alexis Rockman. There is a lovely series up on the Leo Koenig web site: http://www.leokoenig.com/artist/view/460
The following stolen from the Greenpeace site:
Alexis' paintings visualise the hopes and popularly held fears about scientific progress and the wide-ranging effects of human intervention on animal species, ecosystems, and the natural world.
We are brought face to face with a future that is at once surreal and unsettlingly familiar. Mutant animals, geometric landscapes, alternative environments either sterilized by science or unredeemably altered due to pollution. All this makes for some uncomfortable viewing.
"My position is one of ambivalence as the horse is already out of the barn so to speak; it is not biotechnology that is the problem but corporate America or globalism or colonialism. The implications of using this technology are far more devastating because of the unknowable effects. This is something that is very disturbing and visually compelling to me," explains Alexis.
Despite the questions that Alexis' work throws up about humanity's role in shaping a dystopian future, there's no obvious judgement in it.
Every element in the art is painstakingly researched. All the biological images have been developed through extensive collaboration with specialists in molecular biology, genetics, natural history and medical science.
"I really have to say these are relatively neutral images even if I use information that tends to make people feel uncomfortable. But I don't see that as negative. I try to show things that are obviously familiar but also inform them with as much cultural and scientific history as I can, so that they are credible.
"The stuff that may not be noticed - for instance the geometry of the landscape in 'The Farm'- to me is far more scary than an albino hairless mouse with cartilage growing on its back. I am also trying to make an emotionally resonant image that reaches people. I try to make it as credible as possible without making it boring."
Alexis is aware of the political power of his work. As an American, he believes he is well placed to bring attention to the consequences of his homeland's environmental, economic and political policies.
"I am of a generation whose relationship with the government and big business comes out of a post-Watergate scepticism. How could my work not have a political effect? I feel like I am in such a privileged position I would find it unconscionable if I didn't take advantage of that as someone who cares about these issues."
Collectively, the paintings presented in 'Wonderful World' offer a graphic vision of a bio-engineered near future in which human and animal bodies, crops and plants have been genetically altered to suit a variety of needs - whether commercial, aesthetic, medical or gastronomic.
Despite the potentially complex nature of the exhibition he makes a point of not being elitist, as his subject is something that touches every person on the planet.
"I don't expect anyone to know anything. That is why I am a populist. If I have a show and people from different demographics come to find out about global warming, I don't want to lose half of my audience due to my arrogance. It has to be decipherable to a six-year-old child. I try to construct it as an onion with different layers of meaning and iconography."
The negative consequences of industrial and technological progress are rarely addressed in a modern culture fuelled by the products of multinational entertainment conglomerates. Alexis' paintings hang out on the edge of complacency, forcing us to confront a vision of the future implicit in the choices we, as a society, make today.
This weeks show is dedicated to the memory of Penny Zeidman.
Sun, 3 October 2010
Bad at Sports Episode 266: Art Book Swap with Regency Arts Press/ Wexner Center with Christopher Bedford
This week: Amanda and Tom talk to Heathers Hubbs (director of NADA) and Lauren Wittels (Executive Director, Regency Arts Press, Ltd.) about the press, their projects and the forthcoming Art Book Swap (Saturday October 9th, 2010 12-5 at the AIC's Regenstein Library)!
Next: Duncan (in our first official phone interview) talks to Christopher Bedford, Curator of Exhibitions at the Wexner Center for the Arts in Columbus Ohio.
DONATE BOOKS! COME TO THE SWAP!
Sun, 1 August 2010
This week: Something for everyone! Lori Waxman and Duncan do reviews. Terri and Joanna review "The Ask" by Sam Lipsyte. Duncan and Richard talk with Michael Perry the Marketing & Programming Project Coordinator
Sun, 11 July 2010
This week: Our Open Engagement series draws to a close with an interview with conference organizers Jen Delos Reyes and Harrell Fletcher.
Direct download: Bad_at_Sports_Episode_254-Delos_Reyes-Fletcher.mp3
Category:general -- posted at: 9:12pm EDT
Sun, 4 July 2010
This week: We talk with artist and visionary Nils Norman.
Nils Norman was born in Kent, England in 1966. He studied fine Art Painting BA Hons at St. Martins School of Art in London. After graduating in 1989 he moved to Cologne, Germany. There he lived for three years and collaborated with the artists Stephan Dillemuth and Josef Strau at their experimental storefront project Friesenwall 120, during this time Norman also set up a small gallery space in London, which later became Milch. In Cologne Norman worked for one year assisting the German painter Gerhard Richter in his atelier.
His first US exhibition was at the Pat Hearn Gallery in Chelsea (with Denis Balk and Simon Leung), after which he began to be represented by the late Colin Deland at American Fine Arts.
Norman founded an experimental space called Poster Studio on Charing Cross Road, London. This space was a collaborative effort with Merlin Carpenter and Dan Mitchell. In 1998 in New York he set up Parasite, together with the artist Andrea Fraser, a collaborative artist led initiative that developed an archive for site-specific projects.
Norman now lives and works in London. He exhibits internationally in commercial galleries, museum, and in public and alternative spaces. He writes articles, designs book covers and posters, collaborates with other artists, teaches and lectures in European and the US. Norman completed a major design project: an 80m pedestrian bridge and two islands for Roskilde Commune in Denmark in 2005 and is now working together with Nicholas Hare Architects on a school playground project for the new Golden Lane Campus, East London. He has recently finished an artist residency at the University of Chicago, Chicago, USA.
Sat, 26 June 2010
As part of the ongoing collaboration between Bad At Sports and Art Practical, as well as the summer series exploring social practice, this week Brian Andrews and Patricia Maloney sit down with Natasha Wheat as she prepares for her upcoming exhibition and temporary restaurant “Self Contained,” which opens at the Museum of Contemporary Art, Chicago on July 13.
Currently based in San Francisco, Wheat is an American artist whose work attempts to understand and interrupt the way that human beings exist together. She is interested in the social hierarchy of space, utopian attempts, and the tension between exclusivity and inclusion. Wheat founded Project Grow (http://www.growinginalldirections.org/), a Portland Oregon based Art Studio and Urban Farming Project that includes people with mental diversity. Her recent work examines agriculture in relationship to human culture, distribution, and control. She received her BFA from the School of the Art Institute of Chicago in 2008.
Wheat has exhibited collaboratively and individually at The UC Berkeley Art Museum; The Pete and Susan Barrett Gallery, Santa Monica; Rogaland Kunstsenter, Stavanger, Norway; G2, Mess Hall, and the Museum of Contemporary Art, Chicago.
Check out the text version of this interview, starting July 1, in Issue 18 of Art Practical. http://www.artpractical.com
Sun, 6 June 2010
This week: The first in our series of interviews from the Open Engagement conference that took place in Portland this past May. We start off with an excellent discussion that Randall Szott, Duncan, Brian and the occasional Incubate person had with artist, writer, lemon tormentor Ted Purves. Topics include; Ted's work, the past present and future of Social Practice and what it means to be an artist today.
This series of interviews (thusfar, I've only gone through the first two) are some of my favorite discussions that (the royal) we have had in the 5 years of the show. Great stuff!
Ted Purves is a writer and artist based in Oakland. His public projects and curatorial works are centered on investigating the practice of art in the world, particularly as it addresses issues of localism, democratic participation, and innovative shifts in the position of the audience. His two-year project, Temescal Amity Works, created in collaboration with Susanne Cockrell and based in the Temescal neighborhood of Oakland, facilitated and documented the exchange of backyard produce and finished its public phase in winter 2007. His collaborative project Momentary Academy, a free school taught by artists over a period of 10 weeks, was featured in Bay Area Now 4 in 2005 at Yerba Buena Center for the Arts in San Francisco.
Ted recently received a visual arts grant from the Creative Capital Foundation and a Creative Work Fund grant from the Elise and Walter Haas Foundation.
His book, What We Want Is Free: Generosity and Exchange in Recent Art, was published by State University of New York Press in 2005.
The Open Engagement conference is an initiative of Portland State University’s Art and Social Practice MFA concentration and co-sponsored by Portland Community College and the MFA in Visual Studies program at Pacific Northwest College of Art and supported by the Cyan PDX Cultural Residency Program. Directed by Jen Delos Reyes and planned in conjunction with Harrell Fletcher and the Portland State University MFA Monday Night Lecture Series, this conference features three nationally and internationally renowned artists: Mark Dion, Amy Franceschini, and Nils Norman. The conference will showcase work by Temporary Services, InCUBATE, and a new project by Mark Dion created in collaboration with students from the PSU Art and Social Practice concentration.
The artists involved in Open Engagement: Making Things, Making Things Better, Making Things Worse, challenge our traditional ideas of what art is and does. These artist’s projects mediate the contemporary frameworks of art as service, as social space, as activism, as interactions, and as relationships, and tackle subject matter ranging from urban planning, alternative pedagogy, play, fiction, sustainability, political conflict and the social role of the artist.
Can socially engaged art do more harm than good? Are there ethical responsibilities for social art? Does socially engaged art have a responsibility to create public good? Can there be transdisciplinary approaches to contemporary art making that would contribute to issues such as urban planning and sustainability?
Open Engagement is a free conference May 14-17, 2010, in Portland, Oregon. This annual conference will be a focal point of a new low residency Art and Social Practice MFA that PSU hopes to launch in Fall of 2010.
This years conference will host over 100 artists, activists, curators, scholars, writers, farmers, community organizers, film makers and collectives including: Nato Thompson, The Watts House Project, Linda Weintraub, Ted Purves, Henry Jenkins, Wealth Underground Farms, Brian Collier, Anne E. Moore, David Horvitz, Chen Tamir, and Parfyme.
Mon, 11 September 2006
Thursday, September 14, 6pm
and cultural producers discuss how their podcasts, forums, blogs and
festivals are bringing new intimacy and openness to Chicago's art
scene. Panelists include: Richard Holland, Duncan MacKenzie, Amanda
Browder from Bad at Sports; Ed Marszewski from Lumpen, Version and
Select Media Festival; David Roth and Wesley Kimmler from Shark Forum.
Category:general -- posted at: 7:28pm EDT
Sat, 8 July 2006
We don't know what prize we will offer to you in exchange for this sacrifice but, we will think of something.
Category:general -- posted at: 11:36am EDT
Thu, 27 April 2006
Sharkstock 2006 - on Friday, 4/28, 8:30 PM, Wesley Kimler's Studio (2046 West Carroll, Chicago) hosts a celebration of the new Sharkforum site (www.sharkforum.org) and will feature live music by Nicholas Tremulis Orchestra, Mucca Pazza, Rick Rizzo, The Issues, poetry by Simone Muench and Special Guests to be announced. On display will be original art by Wesley Kimler, David Roth, Ursula Sokolowska and Ray Pride.
Category:general -- posted at: 7:52am EDT
Tue, 28 March 2006
Love her work, mystified by her travel planning.
Thanks to our news tipster corps for the heads up!
A link with Video of the Cat Chow story.
AUSTIN â�� A Chicago woman accused of stowing away on a plane to attend the South by Southwest Festival faces a federal charge.
Catherine "Cat" Chow, a 33-year-old artist, was on the standby list for a flight from St. Louis to Austin, booked through American Airlines. When she found out the flight was full, Chow snuck past gate agents, boarded the plane and hid in the bathroom, authorities said.
When a passenger knocked on the bathroom door, Chow took the man's seat. When his wife made her move, she took another seat. After she was forced to move again, a flight attendant discovered her, court documents said.
An agent with the FBI Joint Terrorism Task Force was called to the airport. Airport police also were waiting for Chow when the plane landed.
Chow told authorities she "knew what she did was wrong, but wanted to meet with her friends in Austin . . . to participate in the South by Southwest activities," documents said.
Airport police say they found marijuana and six antidepressant tablets without a prescription label.
Chow was charged with boarding an airplane without permission, a federal crime, and two state misdemeanors, possession of marijuana and possession of a dangerous drug.
Chow was being held in the Travis County jail on a $3,000 bail.
Category:general -- posted at: 9:09am EDT
Sat, 28 January 2006
Don't fret, it is only a music video, but what a music video...
ABANDON ALL HOPE YE WHO CLICK HERE
Someone please explain to me what the weiner dogs have to do with this song?
Category:general -- posted at: 2:19pm EDT
Wed, 21 December 2005
We gained about 5 gazillion listeners with the holiday show, hopefully you will stick around
If you are new to the show, please download a few episodes and check them out, we have done some great interviews and hopefully lots of funny other stuff!
We are working hard to be a grass-roots resource for people in the arts, we have bureaus in New York, London, and San Francisco.
If you want to get involved, contact us! If you want to be added to our mailing list send us an e-mail at firstname.lastname@example.org
Category:general -- posted at: 6:25pm EDT
Mon, 5 December 2005
Okay, so we here at Bad at Sports get some weird mail. BUT this one is worth posting, it is from some guy who runs a sports blog, who linked to us because he seemingly thought we were a sports podcast. I just tried to pull it up and it wasn't working, but if it comes up, it is pretty funny to see us amongst the sports fan sites.
FROM: Drew Blake
hey, just thought i'd let yall know that your blogs are sweet and i linked them to my new one, The Land of Cleve. I would be happy if you link me on your link lists as well: www.land-of-cleve.blogspot.com
also, you mostly have gmail.com accounts.....they must be tits
Category:general -- posted at: 10:02pm EDT
Sat, 17 September 2005
Much gratitude to art impresario Paul Klein (nee of Klein Art Works) for mentioning us on his fantastic ArtLetter website (the 9/16/05 edition). A great source of news and reviews. Be sure to check it out!
Also be sure to listen to next weeks show where we are interviewing Amanda Browder, one of my favorite artists, we talk about her forthcoming public art works, her international project and more. Amanda joins us for reviews of the Bruce Nauman show at Donald Young and the Nevin Tomlinson at Gallery 40000!
Category:general -- posted at: 12:51pm EDT
Mon, 12 September 2005
Howdy, Thanks for listening/reading. We have all sorts of new and exciting features coming to the show in the near future! More record reviews! Duncan's Book Review Corner! Information on art opportunities! If there are things you'd like to hear as a part of the show let us know. We are also interested in contributors. If you would like to add your voice to Bad at Sports, contact us! Richard
Category:general -- posted at: 11:59pm EDT