Mon, 14 February 2011
This week: We talk to PLAND.
PLAND, Practice Liberating Art through Necessary Dislocation, is an off-the-grid residency program that supports the development of experimental and research-based projects in the context of the Taos mesa.
PLAND finds its inspiration in a legacy of pioneers, entrepreneurs, homesteaders, artists, and other counterculturalists who – through both radical and mundane activities – reclaim and reframe a land-based notion of the American Dream. While producing open-ended experimental projects that facilitate collaboration and hyper-local engagement, PLAND is a constantly evolving artists outpost in the New Mexican high desert. Through project-based residencies and work parties, residents are encouraged to marry survival-based goals with big ideas and experimental methods. Without expectations about prescribed outcomes, PLAND privileges process over product. People can do amazing things when supported and encouraged in new contexts and there is no context like that of the Taos mesa. Part alternative school, part laboratory, part homestead, part art studio, PLAND is an active solution for merging art into life.
ALSO: MIKE B. mysteriously returns.
Direct download: Bad_at_Sports_Episode_285-PLAND.mp3
-- posted at: 7:27 AM
Mon, 7 February 2011
This week: Duncan talks to Suart Bailey of Dexter Sinister.
Dexter Sinister is the compound name of David Reinfurt and Stuart Bailey. David graduated from the University of North Carolina in 1993, Yale University in 1999, and went on to form O-R-G, a design studio in New York City. Stuart graduated from the University of Reading in 1994, the Werkplaats Typografie in 2000, and co-founded the arts journal Dot Dot Dot the same year. David currently teaches at Columbia University and Rhode Island School of Design. Stuart is currently involved in diverse projects at Parsons School of Design (NYC) and Pasadena Art Center (LA).
Dexter Sinister recently established a workshop in the basement at 38 Ludlow Street, on the Lower East Side in New York City. The workshop is intended to model a ‘Just-In-Time’ economy of print production, running counter to the contemporary assembly-line realities of large-scale publishing. This involves avoiding waste by working on-demand, utilizing local cheap machinery, considering alternate distribution strategies, and collapsing distinctions of editing, design, production and distribution into one efficient activity.
Sarah Crowner became involved with Dexter Sinister in summer 2006. She is a New York-based artist who has made and distributed numerous artists' books and books about art.
NEXT: Duncan speaks with Kurt Mueller of Art Lies.
Mon, 31 January 2011
This week: Bad at Sports presents an interview from our media partner Art Practical. Kim Anno is interviewed by Bruno Fazzolari as a part of his ongoing series of interviews with artists regarding abstraction. Kim Anno is an Associate Professor of Painting at CCA who makes videos, photos and paintings with an undercurrent of environmental activism.Bon Appetit!
Direct download: Bad_at_Sports_Episode_283-Kim_Anno.mp3
-- posted at: 6:57 AM
Mon, 24 January 2011
This week: Duncan talks to artist and walker Hamish Fulton.
Emerging in the late 1960s alongside artists including Richard Long and Gilbert and George, Hamish Fulton’s work began to explore new possibilities for sculpture and for a direct relationship between landscape and art, shifting the focus from the resulting art as an object on to the experience of the landscape. With influences ranging from American Indian culture to the subject of the environment itself, Fulton began to take short walks and take photographs to document the experiences of these walks.
After a monumental journey walking 1,022 miles from John O’Groats to Lands End Fulton made walking the sole subject of his art claiming to then make “only art resulting from the experience of individual walks”. He believes that each walk has a life of its own, and this cannot be rendered into a physical artwork; as the artist says “an artwork may be purchased but a walk cannot be sold”.
Fulton undertakes these walks by himself and so is the only person to directly experience them; however the images, photographs and text allow viewers to engage with the artist’s experiences.
Born in London in 1946 Hamish Fulton studied at St Martin’s College of Art, 1966-1968, and the Royal College of Art, 1968-1969, both in London and has had numerous solo shows at various institutions, amongst them Tate Britain and Kunst Museum, Basel, and has exhibited internationally including shows in New York, Tokyo and Munich. Fulton’s work is also kept by collections ranging from the British Council and the Victoria and Albert Museum, to the Museum of Modern Art, New York.
Mon, 17 January 2011
This week: Richard talks to Paul Klein about his new project Klein Artist Works!
Mon, 10 January 2011
This week: Chris Duncan joins Brian and Duncan in a round table with Rich Jacobs. Jacobs work draws from by graffiti, psychedelic and folk art, and frequently appears on a broad range of materials beyond the gallery including magazines, books, CD and LP covers. The raucous group discusses building a scene outside the system, the decline in the relevance of graffiti, why punks end up making hippie art, and why we all should endeavor to make more honest artwork. This is the final interview recorded in our series at Baer Ridgeway Exhibitions.
Direct download: Bad_at_Sports_Episode_280-Rich_Jacobs.mp3
-- posted at: 5:32 AM
Mon, 3 January 2011
This week: This is the second of two interviews with German artists conducted by Mark Staff Brandl on the island of Elba, Italy. Alexander Johannes Kraut is an artist who concentrates on drawing and printmaking, sometimes reaching installative proportions. He has also created an amazing thirteen chapter wordless graphic novel. Kraut comes from a farming village in the Allgäu, and is now based in Kreuzberg in Berlin. He has lived in many places and exhibited widely in important museums and other venues including in Mexico City, Paris and New York as well as several places in Germany. The artist was in an invitational retreat in July as a working guest of a foundation on the island of Elba along with Viennese jazz pianist and composer Martin Reiter, New York playwright Sony Sobieski, Ruessellsheim artist Martina AltSchaefer (the interviewee in part one) and Mark Staff Brandl, the Bad at Sports Continental and now also islandal European Bureau. As a note to English speakers: Kraut's name is not only amusing as the English-language slang for 'German,' but also means 'herb' in German, and 'Johannes Kraut,' called 'St. John's wort' in English, is a plant traditionally used to combat depression and, in ancient times, to ward off evil. http://www.ajkraut.de/
Mon, 27 December 2010
This week: Patrica, Brian, and Duncan chat with one-of-a-kind private art dealer and fountain of knowledge Steven Leiber. Steven Leiber is most commonly known for operating Steven Leiber's Basement which specializes in the sale of contemporary art and contemporary art documentation: artist's books, artist's ephemera, multiples, works on paper and reference materials. The conversation delves in to the history of Steven's artist ephemera collections and the unique catalogs his endeavors produce. This episode is part of the series recorded this fall at Baer Ridgeway Exhibitions.
Mon, 13 December 2010
This week: Tom, Amanda, and Duncan talk to super collector Hubert Neumann. He's candid, he doesn't mince words and he knows a ton of stuff, don't miss it.
Also, Richard thinks that the Smithsonian and National Portrait Gallery are striving to redefine "spineless cowards" in their role in the museum word. Great job guys, I look forward to seeing what a Fox News curated museum looks like!
Please be sure to take a moment and e-mail the following people your thoughts on their caving in to political censorship.
Public Affairs Specialist
Public Affairs Assistant
Director of Development
and External Affairs
Deputy Director of Development
External Affairs Specialist
Mon, 6 December 2010
This week: Brian, Patricia and Duncan get into the mind of Lindsey White. They discuss the challenges of being a photographer in an image saturated-culture, light, magic, and the intimate details of White's studio practice. Lindsey White is a San Francisco based photographer and video artist born in Tulsa, Oklahoma. This is the third interview in our series recorded at Baer Ridgeway Exhibitions as a part of Chris Duncan's Eye Against Eye exhibition.