Here is some text crassly cut and pasted from somewhere else: Leonard Bullock originally from North Carolina and New York City, has lived in Europe for the last 15 years, frequently exhibiting in Switzerland and Germany. ... Bullock is a painters' painter, his direct facture influencing many better-known contemporaries such as the young Swiss artist Lori Hersberger. While Bullock often paints on surprising surfaces such as fiberglass or silk, the most arresting aspect of his work has been his mark-making, which is somewhat reminiscent of de Kooning in that it aspires to an indexical demonstration of sensation. Bullock does not copy his inspirational sources but rather updates them. He aligns a wide variety of strokes into tilted vectors, forming abstract totem poles that appear to swerve through space. His sense of touch reveals a painter more concerned with Titian and with questions of disparateness than with expressionism.

In the "outro" to this weeks show, Duncan defends the good name of Joseph Mohan, against Richard's inappropriate commentary.

This week: Duncan talks to Britton Bertran and Allison Peters Quinn about Artists Run Chicago which is currently up at the Hyde Park Art Center.

Artists Run Chicago is an exhibition showcasing the energy and audacity of some of the most noteworthy artist-run spaces that have influenced the Chicago contemporary art scene over the past decade. Chicago has long been known for cultivating a strong entrepreneurial/Do-It-Yourself spirit in business and the arts. The participating artist-run venues have transformed storefronts, sheds, apartments, lofts, industrial warehouses, garages and roving spaces into contemporary art galleries testing the notion of âexhibitionâ while complicating the definition of art. Coinciding with the Hyde Park Art Centerâs 70th anniversary, Artists Run Chicago reconnects the Art Center to its beginnings as an artist-run space by showcasing spaces that continue the legacy.

This week: Duncan and guest host Randall Szott talk to the fine folks from InCubate. After that interesting interview we flush the whole effing thing down the toilet by reviewing Harry Potter the Exhibition, where porno and Matthew Barney are discussed.

About InCUBATE (from their website):

In ways that have only become possible in the past few years, artist collectives and experimental institutions have begun to actively re-imagine alternate art worlds and alternative forms of curatorial practice in an attempt to disengage from the more traditional strategies governing todayâs art market.

InCUBATE is a research institute dedicated to challenging current infrastructures, specifically how they affect artistic production. As art historians and arts administrators, our goal is to explore the possibility of developing financial models that could be relevant to contemporary art institutions, as well as collective or individual artist projects working outside an institution. Particularly, we are exploring financial models which are less constrained by external controls and market concerns and which are more effective, more realistic, and more relevant to both art and the everyday. Our goal is to continue to conceptualize new possible situations, document these innovations, and make this information available to everyone.

InCUBATE does not have non-profit status, instead we see our role as exploring new possibilities outside of the traditional models of 501c3 tax exempt status. We are interested in creating a network of opportunities and creative discussions, as well as sharing resources for creative urban and community planning and self-sustaining situations for art production. These activities include investigating current practices in public/private sponsorships for arts organizations, debating the pros and cons of incorporating as a non-profit, alternative means for financing âunder-the-radarâ arts projects, and hosting exhibitions and symposiums to spark public discussion.

Centered in a storefront space adjacent to Chicagoâs historic Congress Theater, we consider our location to be an integral part of our activities and mission. We are interviewing local artists, curators, organizers, and collectives whose thinking extends beyond traditional modes of production and distribution. These discussions will be made public in order to start an open source of information-sharing about processes and strategies. While exploring our own process of becoming a research institute, we will also become a resource for others, which will manifest in various on-going projects.

One of these projects aims to assist the production of future projects. Through using the open source software MediaWiki, InCUBATE plans to create a wiki that will function to collect information for projects, collect historical and contemporary data about discursive art making, as well as information directed by the wiki users.

A night you won't forget...if you live to remember!!!

Friday, May 29th, You Oughta be in Fangs, written & directed by Death by Design

Decadent 1920s party-goers in search of hot-jazz and free-flowing booze, head to a secret speakeasy run by the conjoined Whisper Sisters. Assisted by a team of waxen virgins and undead goons, the Sisters entice their guests with vampish performers, seductive strains and intoxicating elixirs. But watch your step â lest you should shimmy straight into the arms of their Vampire suitors, who slip incognito through the euphoric crowd, adding to their brood.

Join us for our first artist-directed fundraiser, You Oughta Be in Fangs by Death by Design. Featuring hot-jazz by D.J. Coffin Banger, a medicine show by Sanjula Vamana, vampire bites by The Bleeding Heart Bakery, open casket portraits, a secret potion hunt, prohibition era coffin varnish (ie. booze) and much much more.

A one-of-a-kind event, You Oughta Be in Fangs is a prohibition era meets the undead, housed in Chicagoâs spectacular The International Museum of Surgical Science. Unlike any event threewalls has ever held, You Oughta Be in Fangs is our first spring fundraiser, a new annual artist designed and directed âexperienceâ where guests become âpart of the artâ.

Death by Design, Co., is a special effects and video-based company established by artists Michelle Maynard and Teena McClelland in May 2005. The Death by Design team constructs film sets and immersive environments at select locations where clients are invited to enter the set and engage in an in-depth conversation with life through their own "Hollywood" death.  Visitors can either watch the action unfold or be part of the story-line, infiltrating the artwork as live (and dead) bodies. You Oughta Be In Fangs is their first âpartyâ environment/installation, where party-goers, immersed in the set, become characters in a speak-easy riddled with the undead.

Take a bite of the visual arts and help support threewalls support artists.

Costumes encouraged!   

7:30-8:30: VIP Preview with appetizers, live entertainment, and open bar.

8:30-11:30: General Admission with dessert, and open bar.

First, Duncan and Richard present a horribly off-track intro which consists largely of talk of herpes and sleeping around. Eventually they get around to discussing what is really important, this weekâs show!

Steve Litsios, an artist from La Chaux-de-Fonds in the French-speaking part of Switzerland, is interviewed this week by Mark Staff Brandl. Litsios is known for his vast paper installations, wall objects, smaller sculpture, and web-work, all of which are elegant, restrained, and yet puckish in their surprising flirtation with elements of garishness. His work has recently begun to incorporate political content into his formerly abstract approach. The artist also plays in several roots blues and skiffle bands.

Then, in the closing, Duncan calls out Joseph Mohan. Other wackiness ensues.

First: This week Duncan checks in from Roots and Culture and interviews Oli Watt and Jamisen Ogg about the show they put together with Lauren Anderson.  Lauren could not make the taping session and Eric May (The Director of Roots and Culture) steps in to make sure the world know
what great work she does.

Next: From NYC! The Amanda Browder Show features three conversations from the Volta Art Fair - NY 2009. Amanda talks with Noah Singer of Imperfect Articles (Chicago), Tracy Candido and Tara Strickstein of Sweet Tooth of the Tiger (NYC) and Joshua Callaghan (LA). All three discuss the hardships of being stuck in a booth all weekend on what happened to be one of the sunniest days all winter.

Holla! NYC correspondents Amanda Browder and Tom Sanford hang out with artist Michael Anderson in his Harlem studio. Born in the Bronx in 1968, Mr. Anderson began his artistic career fusing painting and collage but has concentrated on collage since the early 1990s. Since that time his materials have consisted solely of posters and billboards found on the streets of international cities and physically torn down by the artist. (text from Michael's Blog). To prep you when you go see Michael's show at Marlborough Gallery in Chelsea which opened on March 26th, 2009, Tom and Amanda talk to Michael about his work and end the conversation with a boxing match, as a way to get out their inner feelings. Michael watches in fear....or is it hilarity!  

This week: Duncan and Richard are extremely excited to talk to legendary cartoonist Chris Ware!

They discuss Chris's work and career and much, much more. Duncan pokes fun at Richard for being a dork! Much mirth, music, and mayhem is had by all. This show is not to be missed!!!

Photo by Tom VanEndye.

This week: Dude, what is up with the Chicago Poster scene?

Well. Mike Benedetto might know...

Turns out Mike dragged Steve Walters (the Chicago Poster Godfather) and Jay Ryan (national poster art phenomenon) into the Bad at Sports world to interrogate the scene they helped build, how they understand their art, and the future of this scene.  Duncan's world was changed forever.

ALSO: Salvador Castillo talks to the people behind the Texas Biennial!

This Week: Amanda and Tom talk to art legend Peter Saul. Next, Amanda and Tom talk to Jacob Dyrenforth about his show that is currently up at the Renwick Gallery.

RIP Lux Interior! "The Cramps don't pummel and you won't pogo. They ooze; you'll throb."

Jason also discusses the Chicago Art Critics Association group project coming up at Ispace.

Richard continues the official campaign of contrition for Duncan's crimes against Lauren Vallone.

Lastly, our low-impact pledge drive continues, please help out if you can!!!

Meg Cranston (born 1960) is an artist who works in sculpture and painting as well as a writer. She has exhibited internationally since 1988. She received and M.F.A in Studio from California Institute of the Arts in 1986 and a B.A. in Anthropology/Sociology in 1982. She also attended the Jan van Eyck Akademie in Maastricht, The Netherlands in 1988. She is on the Faculty at Otis College of Art and Design.

She has been the recipient of numerous awards including a New School of Social Research Faculty Development Grant, an artist grant from the Penny McCall Foundation, a Guggenheim Fellowship,a faculty research grant from the Center for Asian American Studies at UCLA, Architectural Foundation of America,  Art in Public Places Award, and a C.O.L.A. Individual Artist's Grant from Los Angeles Cultural Affairs.

James Elkins and the crystal something-or-other.

No, no, But James Elkins is back to talk with Duncan about the Stone Summer Theory Institute, the Art Phd. and why your sorry ass is going to be in school forever.

Stone Summer Theory Institute at SAIC: What Is an Image?

From July 13-19, the second annual Stone Summer Theory Institute at the School of the Art Institute of Chicago will present a forum for some of the world's foremost art theoreticians to address unsolved issues in the field.

This year's Institute is focused on three fundamental questions: What is the nature of the visual? What are images? What are pictures?

A combination of public events and private discussions, the Summer Theory Institute invites fifteen young scholars to explore issues in art conceptualization with renowned international scholars, artists, and authors, this year including Gottfried Boehm, W.J.T. Mitchell, Jacqueline Lichtenstein, and Marie-Jose Mondzain.

ALSO: WEST COAST PEOPLE READ AND OBEY!

In conjunction with âOpen for Businessâ, Brian and Patrica will interview Renà de Guzman live in public at Triple Base Gallery on Thursday, July 10th at 5:00 PM. The raw interview will then be posted to the site as that weekâs show.

Renà de Guzman is the senior curator of art at the Oakland Museum of California. Previously, he was the director of visual arts at San Franciscoâs Yerba Buena Center for the Arts (YBCA).

Go. Go now.

The intro and outro are extra creepy this week. Highlights(?) include Duncan talking about some fantasy involving wearing tight short shorts and Teena McClelland!!! Tom Burtonwood interrupts the recording by shooting rubber bands. Chaos!

After Richard and Duncan are done making a mess of things, the real pros come in and present a fantastic report from Basel.

Lamis El Farra, emerging artist, and the EuroShark Mark Staff Brandl, seemingly perennially emerging black sheep artist, traverse and discuss the entirety of the King of Art Fairs, Art Basel. Yes: the Fair Itself, Art Statements, Art Unlimited, Scope, and the Solo Project. They only missed Liste and Print Basel. Sorry, but all the rest was already enough. Of course they were at the VIP opening (ahem) and managed to talk to more people than you can shake a stick at: artists, gallerists, museum directors, curators, critics, art magazine editors, fair organizers, all the hangers-on, âerâ, important elements of the international artworld.

Also, Philip Vvon Zweck talks to Angee Lennard about Spudnik Press! Be sure to check out their website for info on classes.

Sadly the excellent Cheryl Donegan exhibition at He Said-She Said has closed, but be sure to check out the spaceâs website at http://hesaid-shesaid.us.

This episode is Mohan free. No Mohans were harmed in the making of this episode.

This week: Duncan, and a panel of superstar critical thinkers, Lori Waxman, Kathryn Hixson and James Yood discuss, Highlander, Artropolopolopolis, Robert Storr vs. the universe, and regionalism in an action packed, smack down of art critical smartness.

To digress for a moment, in googling everyoneâs name to minimize errors I was astonished to find that there once was a Chicago Art Critics Association. Sadly their website was last updated in 2006. It seems to have died of disinterest. I wonder if the meetings entailed âBeat-itâ style knife fights, alas Bad at Sports missed the boat there. 

Only Duncan will be amused by the opening song, as he knows there can be only one, and only Kaveh Soofi and Dominic Molon by the closing song.

Joseph Mohan. There Duncan, I said it.

Tony Matelli has always been interested in the underdog. He has become well known for his hyper-realistic sculptures often depicting characters and things just barely getting by; things nearly dead, hopelessly lost or otherwise totally unwanted. These sculptures serve as metaphors for our own social malaise and our general struggle for survival. They mimic inner states of desolation, panic, ambivalence and despair; frequent conditions associated with trying to locate ones self within our social world.

Tony Matelli has exhibited extensively in the US and in Europe. His work was most recently seen in â5 Billion Years,â? at the Palais de Tokyo, Paris, and Into Me/Out of Me, at P.S. 1 MOMA New York, travelling to KW Berlin Institute of Contemporary Art. Upcoming projects include Evolution: Tony Matelli/Alexis Rockman, Contemporary Arts Center, Cincinnati, Still Life, at the Dunedin Public Art Gallery, Dunedin, New Zealand, and Die Macht der Dinge - The Power of Things, Georg Kolbe Museum, Berlin.

Also Duncan tries out his acting chops, with mixed results.

This week: Duncan and Britton Bertran talk to Kavi Gupta and Christian Viveros-Faune from Next Art Fair.

Much fun is had by all.

Shaun OâDell makes drawings, videos, music and sometimes sculpture. His work explores the intertwining realities of the human and natural orders. OâDell has exhibited his work at many venues, including the Jack Hanley Gallery in San Francisco and Los Angeles, the San Francisco Museum of Modern Art, UCLA Hammer Museum, Yerba Buena Center for the Arts, Whitebox in New York, and the Marianne Boesky Gallery in New York. His work is held in the permanent collections of the Museum of Modern Art, New York, San Francisco Museum of Modern Art, M.H. deYoung Memorial Museum and the Berkeley Art Museum. OâDell received his MFA from Stanford University. He is the recipient of the 2006 Diebenkorn Teaching Fellowship from the San Francisco Art Institute, 2005 Artadia Award, 2004 SECA Award from the San Francisco Museum of Modern Art and a 2002 Fleishhacker Foundation Award. He is currently teaching at University of California, Berkeley and California College of the Arts, and is the co-organizer of The New New Masses, a lecture series on Art and Politics. 

SHAUN OâDELL
We Remember the Sun
Susan Inglett Gallery
522 W. 24 St.
New York, NY 10011

February 15th - March 15th

Holy guacamole am I sick this week, yuck. One of the joys of having a child in daycare.

Terri and Joanna give their book review of Eeee Eee Eeeee by Tao Lin . The "shitty drawing of novels."

Duncan rages about how F-ing angry he is at the Art Institute of Chicago, and in order to make up for it, rumor has it that he intends to increase his donation to them. If you work in development, please make a note of Duncanâs generosity and contact me at badatsports@gmail.com and Iâll pass along his phone number. He really wants to talk to you ASAP.

Laura Letinsky has exhibited her color photographs in numerous venues, including the Museum of Modern Art, New York City; Casino Luxembourg; The Nederlands Foto Institute; the Canadian Museum of Contemporary Photography, Ottawa; and the Museum of Contemporary Photography, Chicago. Her series of still-life photographs, Morning, and Melancholia, has been shown at Edwynn Houk Gallery, New York City, Copia, Napa Valley, and Stephen Bulger Gallery, Toronto. More recent and upcoming exhibitions include Time Was Away at the Art Institute of Chicago, I did not remember I had forgotten at the Monique Meloche Gallery, Chicago, and Hardly More Than Ever at the University of Chicago's Renaissance Society and the Shine Gallery in London. Her work is collected by LaSalle Bank Photography Collection; Yale University Art Gallery; the Museum of Contemporary Art, Chicago; the Art Institute of Chicago; the Museum of Fine Art, Houston; and the San Francisco Museum of Art. Letinsky received her B.F.A. from the University of Manitoba in 1986 and her M.F.A. from Yale University 1991.

NEXT: Kathryn Born talks to sculptor Sabrina Raaf.

Sabrina Raaf is a Chicago-based artist working in experimental sculptural media and photography. Her work has been presented in solo and group exhibitions at Mejan Labs (Stockholm), Stefan Stux Gallery (NYC), Ars Electronica (Linz), Opel Villas Foundation Art Center (RÃsselsheim), Museum Tinguely (Basel), Espace Landowski (Paris), Artbots 2005 (Dublin), San Jose Museum of Art, Kunsthaus Graz, ISEA (Helsinki), Klein Art Works (Chicago), The Lab (San Francisco) and Painted Bride Center (Philadelphia). She is the recipient of a Creative Capital Grant in Emerging Fields (2002) and an Illinois Arts Council Fellowship (2005 & 2001). Reviews of her work have appeared in Art in America, Contemporary, Chicago Tribune Sunday Magazine, Leonardo, www.lab71.org, The Washington Post, and New Art Examiner. She received an MFA in Art and Technology from the School of the Art Institute of Chicago (1999) and is currently Assistant Professor in the School of Art and Design at the University of Illinois at Chicago.

The music in this weekâs show is in honor of Duncan and the shady company he has been keeping.

For years the do-it-yourself (DIY)/punk underground has worked against the logic of mass production and creative uniformity, disseminating radical ideas and directly making and trading goods and services. But what happens when the underground becomes just another market? What happens when the very tools that the artists and activists have used to build word of mouth are coopted by corporate America? What happens to cultural resistance when it becomes just another marketing platform?

Unmarketable examines the corrosive effects of corporate infiltration of the underground. Activist and author Anne Elizabeth Moore takes a critical look at the savvy advertising agencies, corporate marketing teams, and branding experts who use DIY techniques to reach a youth marketâand at members of the underground who have helped forward corporate agendas through their own artistic, and occasionally activist, projects.

Covering everything from Adbusters to Tylenolâs indie-star-studded Ouch! campaign, Unmarketable is a lively, funny, and much-needed look at whatâs happening to the underground and what it means for activism, commerce, and integrity in a world dominated by corporations.

Anne Elizabeth Moore is the co-editor of Punk Planet, the Best American Comics series editor, and the author of Hey Kidz! Buy This Book: A Radical Primer on Corporate and Governmental Propaganda and Artistic Activism for Short People. She has written for Bitch, the Chicago Reader, In These Times, The Onion, The Progressive, and Chicago Public Radio WBEZâs radio program 848. She lives in Chicago.

I will mail 5 bucks to the first person who can identify the name of the artist and title of the song used to close the show, it has bothered me for years that I donât know who it is.

From the Leo Koenig Site:
Leo Koenig opened his gallery in 1999 in Williamsburg, Brooklyn. There, he presented both promising young talent and established, historically significant artists. Within a year, the gallery moved to Manhattan, first to a space in Tribeca, then to Centre street in soho, where we were for 4 years. In August 2005, we opened our new ground floor space at 545 West 23rd Street in the heart of Chelsea.

For six years now, Leo Koenig Inc. has been presenting a surprising mix of fresh exhibitions, anchored by a well-learned tradition of publication. Ever vigilant that the artist's work be seen in an appropriate context, the gallery has been dedicated to producing catalogues with penetrating essays, and limited-edition artist books.

With a focus on painting and sculpture, Leo Koenig Inc.'s current roster includes some of the most internationally renowned emerging and mid-career contemporary artists. We are pleased to represent the following artists:

Next: Brian Andrews, Marc LeBlanc and Patricia Maloney discuss the BioTechnique show at the Yerba Buena Center for the Arts, which Brian Andrews thinks is utter crap.

Intuit is a not-for-profit organization founded in 1991. Our mission is to promote public awareness, understanding, and appreciation of intuitive and outsider art through a program of education and exhibition.

Toward this end, Intuit strives to discover, document, maintain, preserve, exhibit, and collect examples of intuitive and outsider art; and to operate a permanent facility in which to pursue such activities.

Intuit defines "intuitive and outsider art" as work of artists who demonstrate little influence from the mainstream art world and who seem instead motivated by their unique personal visions. This includes what is known as art brut, non-traditional folk art, self-taught art, and visionary art.

Next: Terri and Joanna talk to Gretchen Kalwinski and Eugenia Williamson from Literago.org

Literago.org is intended as a portal to news and information about literary goings-on in and around Chicago. The site features a curated calendar with a corresponding weekly newsletter, news and photos, post-event write-ups, and the occasional essay about the state of literature in Chicago.

Duncan talks to the delightful Ryan Schultz of Navta Schultz Gallery in Chicago about running a gallery, art fairs and the trajectory of the business.

NEXT WEEK: The Festival of Elkins!!!

From Scott McCloud's website (www.scottmccloud.com)

"At the age of 15, I remember telling my friend Kurt Busiek "I've decided to become a professional comic book artist." It was the Summer between 10th and 11th Grades. My previous decision to become World Chess Champion had proved impractical, but this time I knew I could pull it off and a year and a half out of college, I finally did.

Today, I'm probably best known for:

• Understanding Comics. A 215-page comic book about comics that explains the inner workings of the medium and examines many aspects of visual communication along the way. Understanding Comics has done well in stores, is in over 15 languages and, while not universally liked, is about as close to it as I'm ever likely to see. A favorite of interface, game and Web designers despite the fact that it doesn't mention computers once. (Published 1993).
• Reinventing Comics. The controversial 242-page follow-up to U.C. advocates 12 different revolutions in the way comics are created, distributed and perceived with special emphasis on the potential of Online Comics. Nearly every page seemed to step on somebody's toes, and the debates in the comics industry over comics on the Web have gotten increasingly heated since its publication. Reinventing Comics is the only book I've ever written that's been actually described as "dangerous." (Published 2000).
• My Online Comics. They're all here (or at least linked to from here). Take a look.
• Public Speaking and Teaching. Click to find out more.
• Zot!. My first series ran for 36 issues at California's Eclipse Comics. Though ostensibly a superhero story, Zot! had an alternative flavor and featured some unorthodox storytelling and compositions. "A cross between Peter Pan, Buck Rogers and Marshall McLuhan" is how I usually describe it. (1984-1991)
• My Inventions. Over the years, I've created a number of strange, comics-related, um... things. Enough that I decided to give them their own section of this site. Check it out.
• My Other Comics.Though not numerous, I have done other printed comics including 1985's Destroy!!, a 12 issue stint writing Superman Adventures, in the mid-90's, a bizarre and generally disliked graphic novel about Abraham Lincoln, some mini-comics, short pieces, and various comics-style articles in magazines like Wired, Nickelodeon, Computer Gaming World, Wizard and Publishers' Weekly.

Depending on who you ask, I'm either comics' leading theorist or a deranged lunatic, but life continues to be very interesting for me and the ideas that I've raised continue to provoke reactions throughout the comics community and -- increasingly -- beyond it. Pick up Understanding Comics (or look for it at your local library) to begin finding out why."

ALSO: Mark Staff Brandl checks in to review art with his students from the Central European Bureau!

Lastly Duncan and Joanna act wacky and Joanna has some interesting ideas.

The following bio is shamelessly stolen from the Hyde Park Art Center, please don't sue us:

In the tradition of Modernist painting, Judy Ledgerwood paints monumental abstract compositions that explore light, color, and structure. Her paintings are formal, decorative, and tranquil while simultaneously being highly personal, optically challenging, and inherently subversive. In her compositions, she creates a dialogue that is uniquely feminine but also powerful and authoritative. Early in her career, Ledgerwood began incorporating traditionally feminine pastel colors into her landscape based paintings in an attempt to challenge and undermine the historically male-dominated tradition of gestural abstract paintings. Today her compositions include circular motifs typically associated with the decorative arts tradition. In the 1970s many feminist artists identified and celebrated circular patterns as being connected to female identity. Ledgerwood acknowledges this tradition through her continued use of dot motifs, which she identifies as her form of non exclamatory mark-making. Ledgerwood is the recipient of a Tiffany Award in the Visual Arts, a National Endowment for the Arts Award, an Illinois Art Council Award and two CIRA Grants from Northwestern University. Her work is represented in the public collections of the Art Institute of Chicago, the Metropolitan Museum of Art, the Milwaukee Museum of Art, the Museum of Contemporary Art Chicago, and Swissbank New York. Her degrees are from the Art Academy of Cincinnati, BFA, and the School of the Art Institute of Chicago, MFA.

If that werenât enough, crack open a diet coke plus and sit down for Mike Benedetto who is joined by Tony Fitzpatrick as they review the new Jodi Foster Revenge thriller The Brave One during which they use the phrase âCharles Bronson with titsâ?. 

And for you Encyclopedia Brown sleuths out there, allegedly there is a secret message from Tony Tasset hidden somewhere in the show.

If you listen to one freaking episode of BAS this year it sure as hell better be this one.

Bilingual focuses on artwork at the intersection of painting and drawing, film and video, encompassing both conceptual and process-driven approaches. The artists in this exhibition are acting as visual linguists or interpreters, breaking down one language and reconstructing it in another, holding the sense of the structure together with an understanding of both.

Bilingual will feature works by Shira Avni, Kylie Baker, Wafaa Bilal, Jeremy Blake, Eddy De Vos, Terence Hannum, Jay Heikes, John Hiltabidel & John Grant, Jo Jackson, William Kentridge, Patte Loper, Joshua Mosley, Sabina Ott, David Reed, Peter Rostovsky, Alison Ruttan, Jason Salavon, Marcelino Stuhmer, Fraser Taylor, Jim Trainor, and Scott Wolniak.

Joanna and Terri talk to Doug Fogelson from Front Forty Press about art books and lots of other neat stuff. Front Forty Press is a small publisher focused on artistic projects. A Front Forty project is one that embodies uninhibited creativity and deals with current topics. The work can be functional, political, ecological or simply expressive. What matters most at Front Forty Press is the cultivation and communication of ideas.

AND Mike B. has a rant to offer.

This exhibition is the most serious and comprehensive look at the intimate and inspired relationship between the visual arts and rock-and-roll culture to date, charting their intersection through works of art, album covers, music videos, and other materials. The exhibition addresses the importance of specific cities such as London, New York, Los Angeles, and Cologne; rock and rollâs style, celebrity, and identity politics in art; the experience, energy, and sense of devotion rock music inspires; and the dual role that many individuals play in both the sonic and visual realms. This exhibition is curated by MCA Curator Dominic Molon."

Brian Andrews and Marc LeBlanc are joined by Patricia Maloney and they discuss the new season of shows that recently opened in San Francisco.

You are mentioned in this episode, seriously, no name drop list this week because you know you are in here, someone is talking about you, maybe something good, maybe something bad, youâll just have to listen.

Mike B. is back with 28 somethings later.

Artist, Art Historian, and Dean,
of Faculty and Senior Executive Vice President for Academic Affairs at The School of the Art Institute of Chicago.

She is the author of numerous articles and several books with many foreign editors. Her book publications include: The Invisible Drama: Women and The Anxiety of Change; The Subversive Imagination: Artists, Society, and Social Responsibility; Zones of Contention: Essays on Art, Institutions, Gender, and Anxiety; and most recently, Surpassing the Spectacle: Global Transformations and the Changing Politics of Art.

Prelude to published interview taken from the book, Conversations Before the End of Time by Suzi Gablik.
âIn 1994, Carol Becker was appointed dean and vice-president for academic affairs of the School of the Art Institute of Chicago, having been a former chair of the graduate division before that. She received her Ph.D. in literature at the University of San Diego, where she was a protÃgà of Herbert Marcuse. A lecturer in women's studies since the late 1960s, and a writer on psychoanalytic theory and cultural politics, she has been mulling over the obsolete attitudes and strategies of the art world for a long time, particularly the issue of the artist's responsibility to society, which she claims is a sensitive issue that makes everyone uncomfortable, defensive and insecure. Becker feels that many artists simply refuse to address the issue at all. Artists often choose rebellion, which alienates them from their audience, and then become angry at the degree to which they are unappreciated. In part this is a consequence of the way we educate students in art schools, envisioning the artist as a marginalized and romantic figure who, she claims, operates "out of what Freud calls the Pleasure Principle while the rest of us struggle within the Reality Principle." Students need to think about their work, she feels, not in isolation, but in relationship to the public and to an audience that has not been addressed in art school pedagogical situations. American art students, like most American college students, Becker claims, have not been trained to think globally or politically about their position in society. In a sense, art has seceded from American culture so completely that it has lost its effectiveness and become a subsidized bureaucracy of self-serving specialists.â?

Brian and Marc with critic, writer, and all around interesting guy Julian Myers on rock and rioting.  

Terri,  Joanna and Danielle Egan-Miller talk to Arik Verezhensky proprietor of Gemini Fine Books & Arts, Ltd. A collector and dealer in rare and amazing art and books, and art books, and maybe a few books on art. 

To top it all off the show wraps up with some obscure Japanese Hip-Hop, Richardâs new favorite genre of music.

To wit:

"Jim Duignan is an artist and founder of the Stockyard Institute, a project that draws attention to the visionary status of youth and people through the arts in a variety of Chicago neighborhoods. Stockyard Institute publishes AREA Chicago Arts, Education, Activism, a biannual publication in Chicago.

Jim begins his âresidencyâ? at the Art Center in preparation for Pedagogical Factory, an exhibition at the Hyde Park Art Center in Gallery 1, opening this summer. Heâll be at the Art Center on Thursdays in the Second Floor Studios on the west side of the building. Stop in for a chat with Jim to find out more about his project!"

Jeff Wall, people! Canadian superstar Jeff Wall is interviewed by Duncan and Richard when he was in Chicago for the opening of his huge new show at the Art Institute of Chicago:

Jeff Wall

June 29-September 23, 2007
Regenstein Hall

Jeff Wall is considered one of the most acclaimed and influential artists of his generation. He uses state-of-the-art photographic and computer technologies to make pictures that evoke the composition, scale, and ambition of the grandest history paintings. This exhibition presents a comprehensive overview of Wall's nearly 30-year career.

Next, Jonathan Messinger and Zach Dodson the force behind Featherproof Books, an indie publisher based here in Chicago talk to Terri and Joanna at the Printers Row Book Fair.

Finally, Amanda is leaving for New York! We say our fond farewells, but not goodbyes to Amanda Browder who has taken a position with the New York office of Bad at Sports.

Duncan and Marc LeBlanc talk to Caleb Lyons of Old Gold Gallery and formerly of Art Ledge. 

Duncan talks to artist Lisa Boumstein-Smalley about her new show at the Alfedena Gallery.

Brian Andrews and Marc LeBlanc talk to Justin Hansch about Justinâs Museum of Contemporary Art. We collectively apologize for the crappy sound quality on this one but we are working to correct the problem.

Sarah corrects BAS on their grammar.

Richard spent a lot of time chuckling to himself about the music cues in this weeks show.

German artist Jana Gunstheimer combines her academic training in ethnology with a refined figurative drawing practice to observe and comment on aspects of her own culture. Gunstheimer responds to the transformations she sees taking place in contemporary German society including postindustrial desolation, drastic unemployment, and rising levels of aggression among people of her generation by way of a semi-fictional organization she calls Nova Porta. Complete with a logo, Web site, and an actual membership, the organization offers  People without Social Function a semblance of structure through group cohesion and rigid hierarchy.

Adopting impenetrable rituals, tireless evaluation procedures, and managed leisure, the organization's stated goal is risk management and its activities are driven, if not wholly fabricated, by the artist. Under the conceptual framework of Nova Porta, Gunstheimer effectively parodies hierarchical structures, bureaucracy, and, most importantly, society's need to define oneÃïïs worth in terms of work.

Focus: Jana Gunstheimer is the artist's first solo museum exhibition in the United States. In one all-encompassing installation, the exhibition features exquisitely rendered, photo-based grisaille watercolors on wood panel, a large-scale paper cutout, a site-specific wall drawing, and a newspaper intervention work that all reference the initiatives of Nova Porta, adapted to the specific context of Chicago.

"Gaylen Gerber's work often incorporates the artwork of other artists in its realization. Gerber asks other artists to cooperate with him and let their work be installed against the ground he provides. In doing so he focuses our attention on a central aspect of perception, which is that to perceive something at all you must first be able to perceive it as distinct from its context or background. By positioning his work as the contextual ground against which we see another work of art, Gerber draws attention to the permeability of the distinctions between object and context and fundamentally questions the stability of perception itself. Gaylen Gerber has exhibited widely including recent exhibitions and cooperative projects at the Musee d'Art Moderne Grand-Duc Jean in Luxembourg, Luxembourg; FRAC-Bourgogne and Musee des Beaux-Arts, Dijon, France; Kunsthalle Bern, Bern, Switzerland; and The Art Institute of Chicago, Chicago, Illinois.

Photo Caption 

Exhibition view of Gaylen Gerber's 2006 Mudam exhibition featuring Gerber's work with Kay Rosen, Sam Salisbury and Remy Zaugg. Zaugg's text roughly translates: and if, as soon as I act, I was not being anymore. Photo: Jean-Noel Lafargue."

The closing song goes out to Duncan.

Next, Kathryn talks to Paul Klein about the screwed up stuff going on with public art funding in Chicago. Paul is working of some interesting activist stuff and we will post a letter/manifesto on the recent events, on our blog. 

Then, Mark Staff Brandl checks in from the Central Europe Bureau!

Last, Mike Benedetto, with another Art Superstar Cinema Spotlight. The Supertsar is Monique Meloche. The movie is Volver directed by Pedro Almodovar. Might made his own bed music for this bit. Wow. 

Wow, what a whole lot of show.  

Gregg Bordowitz is a writer, AIDS activist, and film-and videomaker. His work, including Fast Trip, Long Drop (1993) and Habit (2001), documents his personal experiences of testing positive and living with HIV within the context of a personal and global crisis. His writings are collected in The AIDS Crisis is Ridiculous and Other Writings:1986-2003. He is currently on faculty in the Film Video and New Media department at The School of the Art Institute of Chicago.

David Getsy is an author, theorist and Assistant Professor of 19th and early 20th Century Art Department of Art History, Theory, and Criticism at the School of the Art Institute of Chicago

The show closes with further proof that if there is an obscure musical tidbit in Tony's past, we can find it.

Brian Andrews and Marc LeBlanc talk to curator Joseph del Pesco and artist Scott Oliver about the Collective Foundation. 

The Collective Foundation (CF) is a temporary organization. The concept of curator Joseph del Pesco and artist Scott Oliver, CF relies on the contributions of numerous people who are working to advance art in the Bay Area. During the organization's launch at YBCA, The Foundation will set up temporary headquarters in our galleries. They will hold think-tank discussions, how-to sessions for navigating the CF Web interface, and Shotgun Review Second Saturdays where participants will review as many Bay Area art shows as possible. The furniture for the Foundationâs headquarters will be borrowed from local individuals, modified for the exhibition, and returned at the close of the showâa generous illustration of the benefits of networking. Find out more at www.collectivefoundation.org.

Duncan makes a funny noise at the end of the show.

0:00-11:25 Intro, overall recap and lots of snotty commentary by Duncan, Amanda, and Richard. 

11:40-22:10 Team Browder (Amanda and Dolly Browder) with Susan Hobbs on the Susan Hobbs Gallery.

22:20-29:05 Team Queer Ghetto Bus (Terri, Serena and Meg) talk to folks from the Thomas Robertello Gallery: guests Thomas Robertello , Adam Ekberg ,Lily McElroy, Hybinette + Richards

29:10-34:00 TB talks to artist David Opdyke with Roebling Hall Art Gallery and Dolly gives some of the best insight ever!

34:10-37:38 TQGB talks to the Williamsburg based Eyewash Gallery  and Larry Walczak and Paul Kurman.

37:50-46:05 TB talks to Santiago Cucullu with High Point Press about his work.

46:20-49:55 TQGB talks to the delightful artist Anni Holm with Orleans Street Gallery and the art scene in St. Charles Illinois.

50:05-58:40 Joel Beck Who runs Roebling Hall Gallery who curated the video installation spectacle in the lobby along with Steven Levy.

58:45-1:05:35 TQGB talks about Brittany's va-jay-jay and with the fine folks from the Capla Kesting Gallery: David Kesting, John Leo, Daniel Edwards, Martina Kubinyi

1:05:45-1:14:00 TB Talks to Steve Zavvatero and Heather Marx of The Heather Marx Gallery from San Francisco. Amanda tries to start a knife fight.

1:14:20-1:19:30 The Team Browder wrap up which is a delightful conversation between Amanda and Dolly recapping Dolly's first Art Fair experience. This is my personal favorite moment in the show.

1:19:30-1:22:45 Closing credits and quips, never to be missed.

Whew! That was some serious typing for 6 a.m. on a Sunday.

Lastly, while looking for a picture for this weeks show, I stumbled upon this link on Anni Holm's site, check out the story and help if you can. Anni should e-mail us so we can have them both on to talk about it.

http://work.colum.edu/~aholm/Home/Mei.html

This weeks installment consists of a mix of stuff, next week we focus on interviews with gallerists and artists.

To top it all off special guest star Dolly Browder joins in!!!

The intro has a name mysteriously bleeped out. Cast your vote on our blog on who you think it was.

Team Browder reviews New InSight the exhibition of fancy-pants fresh young MFA's curated by Susanne Ghez who, despite being a perfectly lovely person, steadfastly refuses to be on the show. C'mon Susanne we don't bite!

Our first team coverage event: Team Queer (Terri, Serena, and Meg the war correspondent) and Team Fat White Guy (Duncan, Richard, Christopher Hudgens) get in the midst of combat with the "Carnival of art on the river" AKA "Art War 2007". A member of the team is wounded in the line of duty. We intend to sue. Everyone. Edmar you are on notice.

Terri and Meg talk about Symposium C6 The Art World is Flat and how weirdly classist it seemed to be.

Duncan and Richard talk to William Dolan and Mark Staff-Brandl about The Artist Project and Bill makes a sale during our bit with him.

Richard talks to Michael Workman about being guillotined in effigy. Tom Burtonwood mourns the loss of his good friend Michael, but has already planned his ascendancy to the leadership of Bridge.

We wrap it all up with a discussion of Canadians drinking too much.

And this is just week 1. You should be paying us.

ATTENTION ALL BAD AT SPORTS LISTENERS: Amandaâs Mom will be in Chicago next week! When you are at the various and sundry art fairs BE SURE to keep an eye out for Amanda and her Mom. She apparently has re-upped her restraining order against Duncan. YOU CAN MEET AMANDAâS MOM (who will autograph any body part youâd like) and meet us at the following shindig:

April 27, 2007
VERSION FESTIVAL ART PARTY
(Special guest starring Bad at Sports-we'd better be on the damn list)
Join Version and Lumpen and a cabal of artists and weirdos at
Sonotheque for an afterparty and celebration of our victory over the
forces of Artropolis.

9 pm - 2 am.
Performances by
Skarekrau Radio
Lemon Pretend
Zeroth

DJs Liz Armstrong
and Rand Sevilla
VJ Ron MLF.

Free Svedka vodka drinks til 10 pm. $10 cover.

NOTE: I was contacted via e-mail (sent what is essentially a cease and desist) by the Canadian Radio-television and Telecommunications Commission. I was informed that as Duncan is a Canadian artist and is working in the media, he, and thereby Bad at Sports are governed by the standards and practices of Section 3 of the Canadian National Broadcasting Act and we were deficient in our quota of MAPL (http://en.wikipedia.org/wiki/Canadian_content#How_the_MAPL_system_works   I had to look it up) based Canadian content in the program. Hence this week's music cues, in case you were wondering.

NEXT WEEK: THE EFFING ART FAIRS

This week's show is an f-ing masterpiece, miss this one at your peril.

This week we talk to in turn professors: James Elkins, Sarah Kreep (organizer of the New InSight exhibition), and Lane Relyea about the future of art education, art students, and the future of the art business among many other topics!

Mike and Richard have dueling reviews of Frank Miller's 300!

BUT FIRST: In the expanded intro; There is a lot of talk about what Scott Speh can do with his opinion of how we do things.

As a BONUS this week we have A BONUS SHOW!!! for direct download...

Our Art School Confidential... Meg Onli - bfa 2008, Jerome Acks - mfa 2008, Carrie Schneider - mfa 2007, Tim Ridlen - bfa 2007, and Duncan MacKenzie - mfa 2002 sit down to talk a little about why art school and how they see their futures.

Download it here

Also please be sure to check out the follow video. Duncan can't stop talking about it: http://youtube.com/watch?v=fbGkxcY7YFU

Duncan and Terri talk to James Elkins and David Morgan about the forthcoming roundtableâ

On April 17, SAIC professor and critic James Elkins reignites the discussion with the
provocative Re-Enchantment Roundtable. The roundtable and associated events gather
together secular and religious thinkers who rarely share discourse: artists, scholars and
art criticsâand religionists interested in art. Panelists will include Thierry de Duve,
Gregg Bordowitz, David Morgan, Kajri Jain, Tomoko Masuzawa, and Wendy Doniger.
The day long discussion is intended to span the full diversity of opinions, from those
who think contemporary art is already âreligious,â? to those who believe art should have
nothing to do with religious faith.

Duncan and Edmar discuss the Lumpen Juggernautâs new building project and HQ, the Version festival, art madness on the river and Half-Elves that are chaotic good.

Hot damn.

AND

Nathan Rogers-Madsen reviews PS-1!

Richard ends the show with a plea and a funny song.

David Robbins has had 30 solo exhibitions of his work internationally and has recently been included in exhibitions at the Museum of Modern Art, New York, the Museum of Contemporary Art, Chicago, and the Centre Georges Pompidou, Paris, France. He has published four books, including a novella, The Ice Cream Social (1998), and his essays and satires have been published in Artforum, Parkett, Art Issues, and numerous other magazines and catalogs. He received his degree in American Studies from Brown University. He currently lives in Milwaukee. 

His forthcoming book on concrete comedy sounds like one of the most interesting things ever and I personally have pre-ordered 400 copies on Amazon.

Be sure to buy your Pitchfork Festival tickets! Sonic Youth is performing Daydream Nation in its entirety. Hot damn.

Holy Guacamole the new Chicago Reader art listings (if you can even call them that) suck like space. For shame Reader, for shame. This is one of the biggest slaps to the art community in some time. Rise up!!!

Lastly, PLEASE vote in this week's poll as we need your input on what might be changes to the format of the show. www.badatsports.com

Planned for next week, artist and author David Robbins!!!

In this episode Bad at Sports welcomes guest reviewers... Boston up  and comer Liz Nofziger and Columbia College's Neysa Page-Lieberman.  They join Bad at Sports locals Terri Griffith, Serena Worthington,  Joanna Topor, and Duncan MacKenzie as we shake up and shake down shows in the west loop. Tune in as they struggle to come to terms with Gescheidle's two new shows, Drew Beatie and Chris Verene whose name Duncan butchers repeatedly), GARDENFresh's first show in their new digs, and 40000's two new offerings Thomas Rapai and Amy Vogel.

All that and Brian Andrews talks politics and art!

ALSO A BRAND NEW CONTEST: The first Bad at Sports Essay Contest is announced in the outro this week. We need you to write a speculative essay of 100 words or less on why Edward Lifson dislikes us. These can be as speculative and fictitious as possible. The winner will have their essay read on the air by Book Guru Terry Griffith!!!

On that note donât forget to e-mail Hello Beautiful and tell them about our project!!! HelloBeautiful@ChicagoPublicRadio.org

ALSO you can contact them via the following (lifted from their site)

Whether you're an artist or enthusiast, musician or muse, Chicago Public Radio's arts desk wants your thoughts on where to go and what to see in Chicagoland. Share your ideas one of two ways:

TheList@ChicagoPublicRadio.org

312.948.4623

THE SQUARE DANCE EVENT IS THIS SATURDAY!!! BE THERE OR ....well... you get the idea.

Also, we wonder why Edward Lifson has negative feelings towards us???

Next, Brian Andrews on collecting praise and drinking.

Then, Richard talks to Interviewees, Interviewers, Anthony Burton, Aris Georgiades, and ex-pat John Wanzel on CAA, NYC and BS, OK!

Finally, Steve Albini is giant of consciousness. Bow before him.

Joanna Topor and Terri Griffith cross swords about literature and minotaurs.

Bad at Sports readies for battle.

THEN, We talk to members of the Polvo team, Elvia Rodriguez-Ochoa  and Miguel Cortez (who didn't really say anything but was there none-the-less). They give us the scoop on Polvo, Pilsen and why their space is so damn cool.

Post your feedback on our Blog www.badatsports.com!!!

Watch this space: Bad at Sports will soon be declaring complete and utter war on a local institution. Not to be missed.

Next week, THE MEG SHOW and Jim Elkins on Phds for studio artists.

Duncan, Richard and Amanda together again interview Fendry Ekel, Dylan Graham, Fokert de Jong, and curator Astrid Honold. Exciting conversation, interesting insight, talk about the many meanings of "chronic". Fun times!!!

ALSO THIS WEEK: The Duncan haircut poll. Be sure to go to Badatsports.com and vote on Whether or not Duncan should get a haircut. The fate of the world is in your hands. 

Also! Those of you in the <ahem> drawing school we frequently discuss on the show, sharpen your pencils!

http://www.cnn.com/2007/US/02/03/headbutt.wookie.ap/index.html

ALSO

Emily Heath and Christian Kuras from Bad at Sports London check in. 

AND

Mike Benedetto reviews Goundhog Day in time for Groundhog Day.

Also

The BAS video of the week: http://youtube.com/watch?v=pj66XgK3NvE

We are doing a show from CAA, if you are interviewing, being interviewed, presenting, or just there for the non-stop action and fun, we are looking to get brief reviews of the experience from you! E-mail us and we will set up a meeting place at CAA to record.

Natalie van Straaten has been a professional writer on arts subjects for more than 30 years and founded Chicago Gallery News in 1983. A curator, educator, administrator and organizer, she serves on various arts advisory boards and is a frequent juror in art competitions. She served as Executive Director of the Chicago Coalition for Arts in Education (1983-1986), and co-directed an art gallery for fourteen years.

Shamelessly and apologetically lifted from Publishers Weekly

Starred Review. Every now and then, a book comes along that's almost impossible to categorize, like Hoke's beautifully illustrated gem, a strange marriage of alchemical lore and psychology, science and "wonder." Hoke, an artist and a senior exhibition designer at California's Monterey Bay Aquarium, writes that the eclectic museums and curiosity cabinets of the 1600s inspired him, and that he wants to return us to a time before "science became a belief system unto itself," a time when artist-alchemist-scientists were able to search for inner truth via mystical experiences and experiments without being ridiculed. Guided by the Greek muses and lured by his lovely color illustrations, readers are beckoned into seven "exhibition halls," named for the stages of alchemical transformation from base matter to divinely inspired knowledge. Each exhibit also includes a pull-out interactive paper model, such as a "Do-It-Yourself Model of the Universe" in chapter one, where Hoke playfully addresses various creation myths. The chapter on dream states, visions and hypnosis is particularly fascinating. This is a book to linger over; it gradually reveals itself as a sly philosophical meditation on human consciousness, bringing in concepts from Tibetan Buddhism and quantum physics.

Coming soon! Rodney Graham!!!

He was born in Guildford, near London, and went to the Royal College of Art. However, in 1991, the tutors refused to give him the final degree because of his show, called Cave, which consisted of a whitewashed studio space, containing only a blue heritage plaque (of the kind normally found on historic buildings) commemorating his own presence as a sculptor. This bestowed some instant notoriety on Turk, whose work was collected by Charles Saatchi.

His work often involves his own image disguised as that of a famous person. He has cast himself in a series of detailed life sized sculptures as different romantic heroes, including Sid Vicious, Jean-Paul Marat and Che Guevara. Pop, a waxwork model of Turk as Sid Vicious, in white jacket and black trousers, pointing a handgun (appropriating the stance of Andy Warhol's painting of Elvis Presley as a cowboy), was part of the 1997 Sensation exhibition which toured London, Berlin and New York. A set of what appeared to be classic posters of Che Guevara in a beret, revealed themselves on further scrutiny to be photos of Turk in the same pose.

Ambiguity features throughout his work. What appeared to be a discarded plastic rubbish bag was in fact a bronze sculpture of one. A large industrial skip (normally yellow, battered and with rust) was painted an immaculate gloss black. He turned up at the private view of the Sensation exhibition at the solemn Royal Academy, London, dressed as a down-and-out.

People who had something to say this show include:

Lisa Dorin: Assistant Curator at the Art Institute of Chicago

Lisa Boyle: Head Honcho Lisa Boyle Gallery, Bird-Horse-Muffin coach.

Christopher Vroom Collector and  Artadia Board President

Todd Simon: collector, President of the Bemis Center for Contemporary Arts, Vice-President of Jewish Family Service, and is active on the Boards of the United Way of the Midlands, Young President's Organization and R.E.S.P.E.C.T.2,

Michael Workman: Bridge guy

Vanessa Chafen: Michael Workman herder.

Jodie Jacobi: Artist

Susan Gescheidle: Gescheidle gallery. She gives us breaking news.

Noah Lang: Trillium Press.

Maura Thompson: Artist

And so much more, lots of talk about hotels and alcohol.

Next, Terri and Serena talk to Larry Shure about his blisteringly kickass project Ultra Local Geography a zine focused on the microcosm.

Then, Christian and Emily talk about the galleries in the East End of London.

Hey, we know you are an opinionated bastard, go post on the Blog www.badatsports.com.

Next week. Miami!

Also Mike Benedetto has his first Superstar Special movie review. 

And, Brian Andrews and Marc LeBlanc talk to Joyce Grimm and Dina Pugh  about Triple Base gallery, and creating a space for emerging artists and curators. All you bright young upstarts, you need to listen to this interview.

We still want your feedback. E-mail us at badatsports@gmail.com with your thoughts on the show, what works, what doesnÃïït, who we should interview, and who should piss-off.

We promise we will never record the intro and outro in a Dunkin Donuts again, sorry.

Well the residency is over. Thanks for coming. Thanks to Three Walls for all their help and patience. It was nice to meet so many of you and there was a minimum of rotting fruit thrown at us.

Hey! We need your help, yes you dammit. We crank out this show every week for you information and amusement, not it is time for your sorry butts to pitch in.

We need to hear your feedback, we are about to have our third formal staff meeting ever and would love to hear from you on what works, what doesn't, who you'd like to hear interviewed (no, no don't say "me" unless you have a solid reason or are a superstar) and any other wit and wisdom you the loyal listener wishes to send our way. We are going to re-examine and re-evaluate to project to see where we go from here (if we go from here?) and would love to hear from people outside of our sad, insular, little bubble. Please e-mail us at badatsports@gmail.com, title your e-mail "Feedback". Thanks!

ALSO: BAS has an APB out for Phil Berkman. If anyone out there knows Phil Berkman we are trying to get ahold of him...

Mike Benedetto gives us a 30 second movie review. Duncan talks to Vanessa Chafen about Bridge-Miami. Kathryn Born talks to Brian Shannon about the auction extravaganza coming up.

Also this weekâs show answers the question, why name a dog Yummy?

DONâT FORGET: Events this week at Three Walls Gallery, Tuesday night 7:00 we record a live interview with Rhona Hoffman, come with your questions! Friday night 7:00, another fantastic panel discussion with Hamza Walker, Paul Klein, Lisa Dorin and Michelle Grabner!!!

Links to followâ

Mr. Marshall talks about his work, race, the art world, his career trajectory, and reveals that art school is the biggest fraud of all time! Also, audience participation!

This is a fantastic interview, don't miss it.

UP NEXT!!!  NOVEMBER 7:
Rhona Hoffman, interviewed live.  119 N. Peoria Street, 7:00 p.m.!!!

Thanks to all who came out for some pancakes on October 28!! Fun times.

ALSO 

We talk about Bad at Sports BASECAMP: our forthcoming residency/series of events at Three Walls. We also touch on Bridge Miami.

We publicly ahpolohgise for our spelling.

Terri Griffith announces the first selection in the Bad at Sports Book Club!!!

Nathan Rogers-Madsen discusses things he isn't qualified to talk about but does it oh-so-well.

Richard, Duncan and Amanda beat up on Massive Change at the MCA. When did the Museum of Science and Industry open a North Michigan Avenue annex? Did we miss a memo?

The announcements make the show super long, sorry, it's all good, honest.

In memory o....I mean in the absence of Duncan we pulled an archival book review, Joanna Topor and Book Guru Terry Griffith discuss Duncan's love of "Witchy Librarians" and the iconoclastic book WINKIE by Clifford Chase, an Orlando-esque tale of a stuffed bear accused of crimes he/she did not commit.

Superstar Brian Andrews hums Randy Newman and goes and checks out art in Los Angeles(where oddly enough we have a solid listener base).

Tom Scharpling from The Best Show on WFMU makes a guest appearance.

What happened to Duncan? Who knows.

Sara Lee, please send us money!!! You paid for that shindig Thursday, you can kick us some beer money, we help the community dammit.

I forgot to mention super intern Meg Onli in the closing credits, I suck, I apologize.

 REMEMBER THE BLOG IS NOT AT www.badatsports.com!!! Be sure to post any of your comments about Scott Speh over there.

Artists and cultural producers discuss how their podcasts, forums, blogs and festivals are bringing new intimacy and openness to Chicago's art scene. Panelists include: Richard Holland, Duncan MacKenzie, Amanda Browder from Bad at Sports; Ed Marszewski from Lumpen, Version and Select Media Festival; David Roth and Wesley Kimmler from Shark Forum.

ALSO:

MARK YOUR CALENDERS

Thursday the 14th, 6:00 P.M. at the Chicago Cultural Center
in the "Garland Room" Bad at Sports, Ed from Lumpen and some of the Sharks from Shark Forum will be talking about alternative arts media.

Not to be missed, come throw stuff at people.

Anyway. 52 weeks worth of shows. Damn.

"We're not the first, 
   I hope we're not the last
'Cause I know we're all heading 
   for that adult crash
The times is so little, the time belongs to us
Why is everybody in such a fucking rush?
Make do with what you have
Take what you can get
Pay no mind to us
We're just a minor threat

We're just a minor threat"

Bill Conger
Tony Fitzpatrick
Paul Klein
Ed Paschke
Roy Boyd Gallery
Nelson Algren
Alex Kotlowitz
Giorgio Morandi
Louis Sullivan
Wesley Kimler