Mon, 24 August 2015
This week: Duncan will put a note here soon!
Mon, 17 August 2015
This week: TEN YEARS MAN...TEN YEARS!! This week we bid a sad farewell to our good friend James Elkins who has told art history "It isn't you, it's me, but at this point in my life I feel like I can't be tied down to a genre, I need to be free to see other modes of writing." Yes, it is true Art, he sat down for our interview and said ""you don't have Elkins to kick around any more, because, gentlemen, this is my last press conference."
Now wait. That was Nixon. Whatever. Anyways, James Elkins, super brilliant guy, most frequent guest in the history of Bad at Sports, returns again to tell us what comes next for him in his merry adventures.
Direct download: Bad_at_Sports_Episode_520-James_Elkins_Spectacular.mp3
Category:podcast -- posted at: 8:26 PM
Mon, 10 August 2015
This week: The return of the The Amanda Browder Show! we talk with artist Katya Grokhovsky from her exhibition/residency at Soho20 in NYC. We talk about her work, performance as a medium, artist as curator and her discussion panels surrounding feminism, and the contemporary art world.
Details for image:
Mon, 3 August 2015
This week, Brian and Patricia (and her stealth interns) talk shop and the sublime with Renny Pritikin, Chief Curator of the Contemporary Jewish Museum, in San Francisco. Currently on view at the CJM is Night Begins the Day: Rethinking Space, Time, and Beauty, which tackles fear and awe, time and frailty, and the limits of seeing in our age of technological innovation. The always frank and open Pritikin shares his thoughts on curating for an ethnic-specific cultural institution, curating theology into art exhibitions, East vs West Coast Jewish culture, and Amy Winehouse.
Renny has been a pivotal figure in the San Francisco Bay Area arts community for over three decades. He served as Co-Director of New Langton Arts in San Francisco from 1979 to 1992, Chief Curator at the Yerba Buena Center for the Arts from 1992 to 2004, and Director of the Nelson Gallery and Fine Arts Collection at the University of California, Davis from 2004 until 2012.
Mon, 27 July 2015
This week things get crazy. We check in from inside the Cultural Center with Tracie Hall and Amy Mooney. Together we look into the heart of the building, the city, and explore the legacy of Archibald Motley.
This weeks show is dedicated to Paul Woodrow. Our hearts go out to his family.
Motley's show is still up. Go check it out.
1. Archibald J. Motley Jr., Blues, 1929. Oil on canvas, 36 x 42 inches (91.4 x 106.7 cm). Collection of Mara Motley, MD, and Valerie Gerrard Browne. Image courtesy of the Chicago History Museum, Illinois. © Valerie Gerrard Browne.
2. Archibald J. Motley Jr., Self-Portrait (Myself at Work), 1933. Oil on canvas, 57.125 x 45.25 inches (145.1 x 114.9 cm). Collection of Mara Motley, MD, and Valerie Gerrard Browne. Image courtesy of the Chicago History Museum, Illinois. © Valerie Gerrard Browne.
3. . Oil on canvas, 31.875 x 39.25 inches (81 x 99.7 cm). Collection of Mara Motley, MD, and Valerie Gerrard Browne. Image courtesy of the Chicago History Museum, Illinois. © Valerie Gerrard Browne.
August 6th, 6:00-7:00 pm, Chicago Artists and Authors Respond to the Art of Archibald Motley: Cándida Alvarez
Chicago Cultural Center, 78 E. Washington, Sidney Yates Gallery, 4th Floor North
For this series of informal gallery talks, Chicago artists and authors are invited to reflect on how this modern master influences their own work. Painter Cándida Alvarez will join art historian Amy Mooney in a conversation about the space, form, and meaning in the paintings of Motley as well as her own large, abstract canvases.Presented by Columbia College Chicago in collaboration with the City of Chicago’s Department of Cultural Affairs and Special Events as part of the ongoing city-wide cultural program, The Art of Archibald Motley: Connect, Collaborate, & Create. Learn more about the dynamic ways that our faculty, staff, students, and community at large has engaged the themes, innovations, and vision of this African American Chicago painter at colum.edu/motley
Sunday, August 16th 4:00-6:00 pm: Archibald Motley and the Matter of Film, Part III
Chicago Cultural Center, Claudia Cassidy Theatre, 2nd Floor North
In partnership with the Chicago Cultural Center and Columbia College Chicago, Black Cinema House is proud to present Archibald Motley and the Matter of Film, a three-part film series that complements the Archibald Motley: Jazz Age Modernist exhibition at the Chicago Cultural Center and explores how the formal and thematic concerns of filmmakers from the 1920s-1940s; including uses of light and color; images of city life; and portraits of race, align with the formal and thematic endeavors of the painter Archibald Motley. Curated by Dr. Romi Crawford (School of the Art Institute and Co-Chair of the Chicago Film Archives), each event consists of a screening followed by a brief response by a local filmmaker, artist, or scholar. The first two installments of this series will take place at Black Cinema House, while the third and final screening will be held at the Chicago Cultural Center and also in collaboration with Chicago Film Archives.
Part III: The Matter of City Life will include:
· Manhatta (Paul Strand and Charles Sheeler, 1921)
An experimental film comprised of 65 shots, which evoke the progression of a day in New York City;
· Études sur Paris (André Sauvage, 1928). Considered a “city symphony” film of Paris in the 1920s. It offers a poetic and experimental portrait of the city;
· Bronzeville selections from the Don McIlvaine Collection (In collaboration with Chicago Film Archives). Short film clips shot by Chicago artist and muralist Don McIlvaine featuring scenes from the city of Chicago still under development.
Originating at the Nasher Museum of Art at Duke University, Archibald Motley: Jazz Age Modernist was curated by Dr. Richard J. Powell, John Spencer Bassett Professor of Art and Art History at Duke. Grant support to the Chicago Department of Cultural Affairs and Special Events provided by the Nasher Museum of Art and the Terra Foundation for American Art; the National Endowment for the Humanities: Exploring the human endeavor; and the Henry Luce Foundation; and the Wyeth Foundation for American Art. The exhibition is on display at the Chicago Cultural Center until August 31,2015. See more on our city-wide cultural programming at http://www.colum.edu/academics/fine-and-performing-arts/initiatives/archibald-motley.html
Tue, 21 July 2015
This week Mark is back from Europe!
From Waterside Contemporary...
Colin Guillemet’s (b.1979) work highlights the difficulty of describing art, concepts and ideas. Where self-expression is concerned it seems words are not enough. Confronted with his work mixed senses of confusion and comprehension occurs, the viewer is convinced they understood something, but does not know exactly what. Guillemet has exhibited at the Helmhaus, Zurich, Lisson gallery, London and Hayward touring.
Direct download: Bad_at_Sports_-_Bad_at_Sports_Episode_515Colin_Guillemet.mp3
Category:podcasts -- posted at: 2:48 AM
Mon, 13 July 2015
This week we catch up with Orit Gat at Superscript2015. This was one of the most honest conversation we have had in years. I think the context of being surrounded by arts writers created the prefect context for frankness.
Orit Gat from her web site...
Orit Gat is a writer based in New York and London. She writes about contemporary art, publishing, internet culture, and different meeting points between these things. Her writing is published regularly onRhizome, where she is a contributing editor, and has appeared in frieze, ArtReview, The White Review,Art Agenda, Flash Art, The Art Newspaper, The Brooklyn Rail, Spike Art Quarterly, Review 31, BOMB Magazine, LEAP, and Modern Painters.
Thu, 9 July 2015
This week we catch up with Aldo Hernandez and Dr. Dan Berger of Iceberg Projects to talk about Art +Positive, Act Up, and the legacy for the 80s and 90s.
From Iceberg Projects...
Equipped, created by Ray Navarro with assistance from Zoe Leonard, will be among the works exhibited. An image-text triptych in artist-designed frames, Equipped slyly mobilizes references to queer sex, AIDS medicine, and censored public speech. It was included in the 1990 PS 122 exhibition An Army of Lovers: Combatting AIDS, Homophobia, and Censorship, which opened on the day of Navarro’s death. The elements of a large collage installation by David Wojnarowicz, also shown in the PS 122 exhibit before being dispersed into different collections, will be brought together for display at Iceberg for the first time in 25 years.
Direct download: Bad_at_Sports_-_Bad_at_Sports_Episode_514Art_Postive.mp3
Category:podcasts -- posted at: 3:43 AM
Tue, 30 June 2015
Holy SHIT! Janine Antoni!
shamelessly lifted from Art 21...
Janine Antoni was born in Freeport, Bahamas, in 1964. She received her BA from Sarah Lawrence College in New York, and earned her MFA from the Rhode Island School of Design in 1989. Antoni’s work blurs the distinction between performance art and sculpture. Transforming everyday activities such as eating, bathing, and sleeping into ways of making art, Antoni’s primary tool for making sculpture has always been her own body. She has chiseled cubes of lard and chocolate with her teeth, washed away the faces of soap busts made in her own likeness, and used the brainwave signals recorded while she dreamed at night as a pattern for weaving a blanket the following morning. In the video, "Touch," Antoni appears to perform the impossible act of walking on the surface of water. She accomplished this magician’s trick, however, not through divine intervention, but only after months of training to balance on a tightrope that she then strung at the exact height of the horizon line. Balance is a key component in the related piece, "Moor," where the artist taught herself how to make a rope out of unusual and often personal materials donated by friends and relatives. By learning to twist the materials together so that they formed a rope that was neither too loose nor too tight, Antoni created an enduring life-line that united a disparate group of people into a unified whole. Antoni has had major exhibitions of her work at the Whitney Museum of American Art, New York; Solomon R. Guggenheim Museum, New York; S.I.T.E. Santa Fe; and Irish Museum of Modern Art, Dublin. The recipient of several prestigious awards, including a John D. and Catherine T. MacArthur Fellowship in 1998 and the Larry Aldrich Foundation Award in 1999, Janine Antoni currently resides in New York.
Direct download: Bad_at_Sports_-_Bad_at_Sports_513_Janine_Antoni.mp3
Category:podcasts -- posted at: 5:21 AM
Fri, 26 June 2015
On December 12, 2014, the Second Kochi-Muziris Biennale, curated by artist Jitish Kallat, opened in Kerala, India. The second edition of the Kochi-Muziris Biennale built upon the themes from the first Kochi-Muziris Biennale. So, before we dive into the second edition, let’s first revisit Indian’s inaugural international Biennale.
The first edition opened on December 12, 2012. It was a huge event and by all accounts, a success. In this podcast, Tanya Gill puts together a collection of artist interviews and viewer reactions from the first Biennale’s opening week in 2012, including celebrated artists Nalini Malani, Vivan Sundaram, Tallur L.N., Rohini Devasher, as well as Australian street artists Daniel Connell and Vextra, independent curator Amit Kumar Jain, and filmmaker Hatti Bowering.
Please stay tuned for the forthcoming second Kochi-Muziris Biennale podcast. This podcast, as well as photographs of the and additional interviews, can be found at zacii.com. Additional information on the Kochi-Muziris Biennale can be found at http://kochimuzirisbiennale.org.
Tanya Gill is a visual artist who lives between Chicago, USA and Chandigarh, India.
A special thank you to everyone who took the time to talk in December 2012! It was amazing to witness this groundbreaking event.
Direct download: Bad_at_Sports_Episode_512_Kochi-Muziris_Biennale.mp3
Category:podcasts -- posted at: 5:58 AM